Koen Baakman (1990), attempts to estrange spaces through visual, audible and textual means.
In form oftentimes minimal, my work is based on my wish to change one’s perception of a physical or mental space for a certain amount of time. Additionally, the feeling of (collectively) being able to connect to something on a visceral level is very dear to me. I am, however, all too aware that these moments can be fleeting.
But perhaps they should be.
Alette Sonneveld, (1991)
Alette Sonneveld’s work implies to be part of an unknown state, government or country. Past, present or future. Connotations of good and evil have been taken away, as such, the only thing that remains is visual and textual power.
Power reminiscent of fascism, communism and catholicism.